By Lia Nicole Brozgal
The paintings of Tunisian Jewish highbrow Albert Memmi, like that of many francophone Maghrebian writers, is usually learn as thinly veiled autobiography. wondering the present physique of feedback, which maintains this interpretation of so much fiction produced by way of francophone North African writers, Lia Nicole Brozgal indicates how such interpretations of Memmi’s texts vague their now not inconsiderable theoretical possibilities.
Calling cognizance to the ambiguous prestige of autobiographical discursive and textual parts in Memmi’s paintings, Brozgal shifts the focal point from the writer to theoretical questions. Against Autobiography locations Memmi’s writing and suggestion in discussion with numerous significant serious shifts within the past due twentieth-century literary and cultural panorama. those shifts comprise the hindrance of the authorial topic; the interrogation of the shape of the radical; the resistance to the hegemony of imaginative and prescient; and the critique of colonialism. exhibiting how Memmi’s novels and essays produce theories that resonate either inside and past their unique contexts, Brozgal argues for permitting works of francophone Maghrebi literature to be learn as advanced literary gadgets, that's, no longer easily as ethnographic curios yet as producing components of literary concept all alone terms.
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Additional resources for Against Autobiography: Albert Memmi and the Production of Theory
Against Autobiography: Albert Memmi and the Production of Theory by Lia Nicole Brozgal